Calendar

Calendar

 

2013

 

Until March 23

National Theatre, Helsinki
Aie (Intention), incidental music to Michael Baran's play


January 13

Berrien Springs, MI
Iscrizione
Duo Claricello


January 24

Espoo
Mobile (would premiere)
Tapiola Youth Symphony, cond. Jan Söderblom


February 17

Turku
Offertorium
Varpu Haavisto, Viola da gamba


February 28

Kauniainen
Toisin
Ilona Jokinen, sopraano, Asta Onnila, piano


March 10

Espoo
Offertorium
Varpu Haavisto, viola da gamba


March 16 & 23

Helsinki & Parainen
Pieta
Pia Freund, soprano, Assi Karttunen, harpsichord, Varpu Haavisto, viola da gamba


March 21 & 25

Mill Valley & San Francisco, CA
Aveux
Left Coast Ensemble


March 25 & 29

Tampere & Naantali
Crossing the Five Rivers
Varpu Haavisto, viola da gamba, Kari Vuola, organ


August 7

Lahti
Crossing the Five Rivers
Varpu Haavisto, viola da gamba, Kari Vuola, organ


August 22

Prague
Sonata No. 2 "Stargazer"
Jan Lehtola, organ



 

 

Past performances

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Here you will find information on Olli and his music.
 

Latest news

Commission for Minnesota

Osmo Vänskä and the Minnesota Orchestra have commissioned Olli to write an orchestral work for the autumn 2014 season. It is to be scored for two singers, symphony orchestra and male choir and the theme will be immigration.

 
World Premiere in Lapland

Offertorium, Olli's new solo work for viola da gamba will be premiered 
in Hetta, Lapland on April 7, by Varpu Haavisto. The work was 
commissioned by the Hetta Music Festival, specializing in church and 
chamber music of the Easter period. There will also be a performance
 of Olli's Pietà during the week.
 
"An opera for the future" - One Night Stand reviewed by Opera Now
"Taking such a relevant and insightful libretto about the ills of our time 
(which could easily stand on its own as a play) and turning it into a 
successful opera was a challenge which Olli Kortekangas met. His music 
not only added depth, breadth, and feeling to the opera, but emotional 
heft to the characters: you really cared what happened to these kids. 
Drawing inspiration from a variety of musical and operatic genres, he
 skillfully navigated through a sea of diverse vocal waters, from grand
opera arias and dynamic coloratura, Greek Chorus-like recitative 
(speaking snippets of cell phone conversations) to cabaret, Broadway 
musicals, tango music, and modern jazz.
This is a 21st century opera that speaks to a 21st century audience in 
its language and music. It is fast-paced, almost chaotic in places, 
and so relevant for today’s youth that it promises to bring down the
 average age of the typical operagoer by 30 years. This is an opera for 
the future."
(Karyl Charna Lynn, Opera Now, December 2011)
 
Seven Songs for Planet Earth - U.S. West Coast premiere

Olli's symphonic cantata Seven Songs for Planet Earth received its U.S. West Coast premiere in San Francisco on November 19 & 20, performed by Shauna Fallihee, soprano, Nikolas Nackley, baritone, the San Francisco Choral Society, the Piedmont East Bay Children's Choir, and the California Chamber Symphony, under the direction of Robert Geary. See review at www.sfcv.org and Olli's interview at www.genevaanderson.wordpress.com.

 
One Night Stand - opera premiere

Olli's and librettist Michael Baran's new opera One Night Stand (original title: Yhden yön juttu) will receive its premiere on October 15 at the newly-opened Helsinki Music Center.

The action in One Night Stand is set in an anonymous seafront city at the present time and five years later. It includes features of a detective story and a love story, logic of dreams, random events and social criticism.

The key characters in the opera are Minä (‘Me’), two variations on a person named Axe aka Momo, and the Mad Girl (called Ainut, a Finnish word for ‘the only one’). The story is about the basic issues of being human: identity and how transitory or permanent it is; the conflicting and tangential relationship of hopes, memories and yearning to reality; and of course the possibility, or perhaps impossibility, of love. One Night Stand was commissioned by the Sibelius Academy, and the production was prepared in collaboration with voice students: Olli and Michael conducted a series of workshops where the opera was further processed through improvisation exercises and discussions. A new approach to making an opera is also apparent in other areas of the production. The character of Axe aka Momo is played alternately by a soprano and a tenor, and the costumes and sets make use of recycled materials.

 
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